Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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unknow artist
under decennierna kring sekel skiftet vaxte wien till en miljom stad och blev ett av europas intel lektuekka centra

ID: 61303

unknow artist under decennierna kring sekel skiftet vaxte wien till en miljom stad och blev ett av europas intel lektuekka centra
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unknow artist under decennierna kring sekel skiftet vaxte wien till en miljom stad och blev ett av europas intel lektuekka centra


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unknow artist

  Related Paintings of unknow artist :. | Seascape, boats, ships and warships. 142 | Portrait of Flora Stevenson | Meditation am Meeresufer | Chinese Laundry | Andra detaljer Frankrike fart som skalle deltaga jag samma resa visumet pappa det andra kopparsticket |
Related Artists:
Carl Tragardh
(20 September 1861 - 5 June 1899) was a Swedish painter. Trägårdh studied at the Royal Swedish Academy of Arts in Stockholm 1881-1883, in Karlsruhe 1883-84, and Munich until 1885. He then moved to France where he became a resident until his death. He exhibited both in Sweden and in France. He received a couple of medals and found a patron in the French singer and art collector Jean-Baptiste Faure (1830 - 1914) who bought some 40 paintings by him. His production is often landscape with grazing cattle, usually cows or sheep.
Bertha Worms
painted Missing Naples in 1895
Salomon Gessner
Swiss Painter, 1730-1788,a bookseller's son, was apprenticed to the bookseller Spener in Berlin. Giving up this employment, he lived for a time by painting and engraving, for which he had a considerable talent. In 1750 he settled in Zurich, continuing to live by painting, including painting on porcelain. He began to write idylls in poetic prose, beginning with Daphnis (1754). His Idyllen (1756) achieved a nation-wide success. In Der Tod Abels (1758) he attempted an epic in prose, which was followed by two plays (Schaferspiele), two stories, including Der erste Schiffer, and a few more idylls, Neue Idyllen (1772). In his idylls, Geßner, who is indebted to Theocritus and Virgil, creates an idealized, orderly, almost horticultural state of nature, from which everything rough and craggy has been eliminated; his shepherds are similarly untouched by the ruder aspects of country life. His work embodies the city-dweller's longing for a nature which he does not know, and this explains its instant popularity. W. Raabe uses Gebner's Idyllen, the publication of which coincided with the outbreak of the Seven Years War






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